EDUCATION DOCUMENTARY ROAD TO NOWHERE MOVIE
EDUCATION DOCUMENTARY ROAD TO NOWHERE TV

In today’s interview Harrison Winter, Brandon Bloch and Lagan Sebert explain how in early 2020, when many people in the film and TV industries were lamenting the fact that it was impossible to send film crews around the world, they realised they were sitting on a solution.

In the coaching section of the show I encourage you to make your marketing personal with a media dashboard. Listen to find out what their solution was – it’s a really dramatic example of a creative opportunity opening up when your innovative approach puts you ahead of the curve. At this point, as you’ll hear in today’s interview, my guests Harrison Winter, Brandon Bloch and Lagan Sebert realised the solution was staring them in the face.

EDUCATION DOCUMENTARY ROAD TO NOWHERE MOVIE

All of which created a huge headache for TV production companies, movie studios, advertising agencies and other media producers.Īt the same time, filmmakers all around the world were sitting at home, frustrated that they were unable to use their skills, and anxious about their financial situation. Today we are looking at the world of film and TV production, which was massively disrupted by the pandemic restrictions. Her work is featured in Greater New York (2021) at MoMA PS1, and solo exhibitions include Random Access (2019) and Take a Picture It Lasts Longer (2018) at Office Baroque, Brussels, Jungle at JTT (2015), and The Doll Hospital at Anthology Film Archives (2010).Welcome to Episode 3 of the CREATIVE DISRUPTION season of The 21st Century Creative, where we are hearing stories of creatives around the world who came up with a creative response to the challenges of the pandemic. Her work is included in the collections of The Bronx Museum of Fine Arts, The Whitney Museum, and others. In 1976, Graubard produced, directed, and edited films of Talking Heads and the Ramones. Her photographs have been published by The New York Times, Paris Match, The Guardian, Time, Newsweek, Der Spiegel, Die Welt, UNICEF, the New York Post, and others.

Graubard is a recipient of The Rema Hort Mann Foundation grant and has been nominated for two Pulitzer Prizes. Graubard’s work encompasses social worlds from squatter punks on the Lower East Side, mafia families, Jamaican dancehall, Eastern European crises and much more. Graubard’s photographs intermix the autobiographical, editorial and documentary, in a career spanning forty years. 1951) was born and lives in New York City. With many images remaining almost completely unseen for nearly thirty years, Road to Nowhere will be the first major publication of Graubard’s work. Working solo, Graubard chased stories as her heart led her, uncovering the suffering and hardship of orphanages, institutions, warfare, and hunger, as well as the joyfulness of emerging subcultures and post-Soviet identity among the young populations across Russia, Czechoslovakia, Bulgaria, Serbia, Bosnia and more.

Coming of age in the counterculture and New York punk scenes of the 60s and 70s, Graubard’s intimate and striking colour approach to photography found a voice of its own when she packed up and embedded herself within Eastern Europe during the early nineties, witnessing the Yugoslav War, Bosnian genocide, and Kosovan uprising. Loose Joints is proud to introduce Road to Nowhere, the first publication of an under-represented voice in photographic storytelling. Graubard’s raw diaries of Eastern Europe from 1993–1995 reveal a fearless and unflinching record of turbulence and change across the Balkans.

Education documentary road to nowhere